Oscar Murillo's latest exhibition at kurimanzutto, "oscar murillo: el pozo de agua," brings together 15 years of work by the Colombian artist, defying linear time and embracing a non-chronological narrative. The show features 150 works, including paintings, drawings, and installations that showcase Murillo's unique style, which blends elements of abstraction, figuration, and social commentary.
For Murillo, time is not a linear progression but rather a complex web of overlapping layers, structures, behaviors, and events that coexist at different speeds. This philosophy is reflected in his work, where surfaces are imbued with marks and energy, both physical and psychological. These surfaces act as a kind of container for thought or experience, inviting the viewer to engage with them on multiple levels.
Murillo's artistic practice has evolved significantly over the years, from his early days as a market darling to his current status as a respected artist internationally. However, he seems to have distanced himself from this label, preferring to focus on his creative process and experimentation in the studio. His work is informed by a shifting global order that is currently under threat, which he addresses through his social mapping project.
The exhibition features a variety of works, including abstract paintings with layered brushstrokes and thick textured paint, as well as installations like "The Water Well," a container of thought or library of material and experience. The latter includes fragments of material from Murillo's studio, such as marks from the public, large black canvas flags presented at the 56th Venice Biennale, and a sound piece that is an account of his father's migration from Colombia to London.
Throughout the show, Murillo's work defies categorization, embracing multiple styles and formats. This non-linear approach reflects his artistic philosophy, where time is not a fixed concept but rather a fluid, dynamic entity. As such, "oscar murillo: el pozo de agua" is an exhibition that resists easy interpretation, inviting viewers to engage with Murillo's work on their own terms.
Ultimately, the show is a testament to Murillo's creative vision and his ability to push boundaries in art. By embracing non-linearity and challenging traditional notions of time and space, he creates an immersive experience that encourages viewers to explore multiple layers of meaning and connection.
For Murillo, time is not a linear progression but rather a complex web of overlapping layers, structures, behaviors, and events that coexist at different speeds. This philosophy is reflected in his work, where surfaces are imbued with marks and energy, both physical and psychological. These surfaces act as a kind of container for thought or experience, inviting the viewer to engage with them on multiple levels.
Murillo's artistic practice has evolved significantly over the years, from his early days as a market darling to his current status as a respected artist internationally. However, he seems to have distanced himself from this label, preferring to focus on his creative process and experimentation in the studio. His work is informed by a shifting global order that is currently under threat, which he addresses through his social mapping project.
The exhibition features a variety of works, including abstract paintings with layered brushstrokes and thick textured paint, as well as installations like "The Water Well," a container of thought or library of material and experience. The latter includes fragments of material from Murillo's studio, such as marks from the public, large black canvas flags presented at the 56th Venice Biennale, and a sound piece that is an account of his father's migration from Colombia to London.
Throughout the show, Murillo's work defies categorization, embracing multiple styles and formats. This non-linear approach reflects his artistic philosophy, where time is not a fixed concept but rather a fluid, dynamic entity. As such, "oscar murillo: el pozo de agua" is an exhibition that resists easy interpretation, inviting viewers to engage with Murillo's work on their own terms.
Ultimately, the show is a testament to Murillo's creative vision and his ability to push boundaries in art. By embracing non-linearity and challenging traditional notions of time and space, he creates an immersive experience that encourages viewers to explore multiple layers of meaning and connection.
! The way Oscar Murillo's work blurs the lines between abstraction and figuration is so mesmerizing. And I mean, who wouldn't want to dive into a "container of thought" like "The Water Well"? 
It's like he's inviting us to explore all these different layers of meaning and connection - it's both overwhelming and exhilarating at the same time.
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I'm loving how Oscar Murillo's latest exhibition is like a puzzle with no clear edges! It's all about defying conventions and embracing the complexity of life. I mean, who needs linear time when you can have a non-chronological narrative that takes you on a wild ride? 
The way he weaves together different styles and formats is just genius - it's like trying to solve a mystery with multiple clues! 
And I love how his work invites the viewer to engage on multiple levels... it's like having a conversation with your own subconscious! 
Overall, "oscar murillo: el pozo de agua" is an exhibition that will leave you thinking long after you leave the gallery. 
150 works by Oscar Murillo, but let's be real, what's the point of a non-linear narrative when the planet is literally melting under our feet? I mean, don't get me wrong, his use of abstraction and social commentary is cool and all, but at the end of the day, we're still stuck in this mess. His work on social mapping project is like, um, what's next, a art show about the apocalypse? 
. Like, have you seen those installations with the sounds from his dad's migration story? It's so immersive! And the way he uses abstraction and figuration together is like, whoa 
. I mean, I know some people might be all "I don't get it" but that's kinda the point - Murillo's work is all about challenging your perceptions and making you think 
. And let's be real, 150 works is a lot! I'm just glad he's finally showcasing his "el pozo de agua" series 
. Overall, it's an exhibition that'll keep you engaged for hours, maybe even days 
It's wild how Oscar Murillo's art is like that - he's got this whole complex web of styles and meanings going on, and it's hard to keep up 
. I love how his show doesn't follow any traditional timeline, though - it's like you can just dive in wherever you want 
Like, I've never seen anything like that before... what do you guys think about Murillo's use of non-linear time in his art?
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. And I love how Murillo is using his art to address the shifting global order - it's so relevant right now 
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i mean, think about it - every surface has its own 'thought' or 'experience' just like how every concept in class is building on the last one. and that's kinda what murillo's trying to say with his non-linear approach - time isn't always linear, life experiences can overlap and intersect too 
. I mean, I know some people like abstract art, but this dude's style is like a big ol' puzzle with lots of pieces 
. One day he's painting, the next he's making installations... it's like he's trying to make us think 
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. Is that like a big project where he's collecting stuff from around the world and putting it into art 
? If so, that sounds really cool 
. But if not, what does it even mean? 
. I love how his work makes you feel like you're diving into this deep well of thoughts and emotions, it's like a journey through his mind 
. And the way he incorporates personal narratives and experiences into his work is so powerful, it feels like you're getting a glimpse into his very soul 
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. I mean, I get the feeling that time isn't linear for him at all, and that's so fascinating. The way he uses surface and energy to create these immersive experiences? Mind-blowing! 
Overall, I think this exhibition is a must-see for anyone interested in contemporary art. Just be prepared to have your mind blown by all the layers of meaning 
but honestly im loving how he's ditched the whole "market darling" vibe and is just focusing on creating 
. and i think that's what makes his work so thought-provoking, it's not just about the visuals but also about the experience you have while looking at them 
like, who needs a linear timeline when you can have a complex web of thoughts and experiences? 
his work is so raw and emotional, it's like he's speaking straight to your soul 
i mean, the way he combines abstraction and figuration is genius - it's like he's tapping into this hidden language that everyone can relate to 
he's pushing boundaries, experimenting with his craft, and inviting us to do the same 
what i love about murillo's work is how it challenges us to think differently about our own experiences and emotions 
! And the best part? He's using his art to address the state of the world right now... very thought-provoking, you know? 
. It's like he's saying, "Hey, don't try to make sense of it all, just let the energy wash over you"